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Adobe fuse replacement12/24/2022 Mocha now has an “essentials” view, which is all the basic tools with more advanced stuff stripped out. The corners of the blue box will hopefully stay by the corners of the object you want to change (in my case, that sign). Drag the corners so that the blue box covers the area you want to replace. Once you have the area selected, click the “ show planar surface” button (blue with an S in it). Because the shot starts with the sign obscured by the doors, I chose to start from near the end and track backwards. I only need a few seconds tracking information for this shot (the bit in purple), so there’s no need to track the whole thing. You can track from anywhere along the shot There’s also the red light above and the statue below to add extra details for tracking purposes, if I need them. In this case, I knew the sign had enough contrast to track, so I didn’t need to add markers (helped by the camera not moving too much). This is why when filming, filmmakers add extra marks onto objects in the set they want to track later. The more clear the details, the better they are for tracking. Mocha uses details in the image to track. Frame by frame, it analyses the image and works out how the image is moving and attempts to follow it as accurately as possible. Mocha will now use only the information within that area to track the sign. When you click the Mocha logo in the effest tab on the left, it boots up Mocha and you can start tracking.īasically, this process involves using the pen tool to add points around the area you want to track, completing the circle at the end. With the video layer selected, add the Mocha effect. With Mocha now more integrated into After Effects, it has it’s own slot on the effects menu. I decided to cut before the actors walk in front of it, saving me from having to mask around them (frame by frame). I need to track the sign on the wall using Mocha, however it’s not visible for the whole shot which adds complications. So I have a few things I need to do here: The doors open to reveal what you see here and they step out. In this shot, the characters wait to reach their level as the elevator descends. I was shooting handheld, hence the need to use Mocha to track the movement in the shot. This was shot using my Samsung S9, with no lenses, using FiLMiC pro (natural profile). In this shot, I want to replace the sign on the wall which appears as the elevator doors open. Introduction to Adobe After Effects using Mocha AE CC Basically, if you have a flat surface in your shot and you want to replace it with something else, this is a great tool for doing the tracking part. I’ve used it hundreds of times, replacing posters on walls (and placing scifi-style video adverts in their place), adding images and videos to phone screens, replacing TV screens and so on. It’s one of the best tools out there for tracking 2D planes and replacing them. So what is Mocha? Long time AE users know Mocha AE well. However, it also comes with a free version of Mocha, which is now integrated like a plugin (it used to be a separate program). After Effects has it’s own tracking features. When you want to add objects to a shot (for example, screen replacement as described above), if the camera is moving, you must use some kind of tracking. The shot in your timeline remains linked to the After Effects file, so that you can go back and make changes to the AR file and they will appear in the shot in your timelines. You can also use it for 3D work, but has become less popular for this kind of work in recent years.Īnother thing to consider – Premiere Pro and After Effects are integrated, so you can right-click a shot in your timeline and send it directly to After Effects to work on there. Also, because I use Adobe’s other software, it was pretty easy for me to jump into After Effects too. Or maybe you want to add change the screen of a smartphone in a close up shot, adding custom elements.Īfter Effects is very useful for this task. For example, if you want to replace a TV screen in your shot with a movie or a news broadcast. I use After Effects because it’s pretty easy to use for adding 2D images into your footage. And so to it… Rough Assembly on Adobe Premiere Pro Adobe After Effects However, we wanted to create at least a hint of a futuristic museum so in the end I decided to just accept I would have a ton of CGI work to do. Plus this is not my profession, so each time I come to do some CGI work I need to spend some days refreshing my memory, and getting back into it – just adding to the time demand. I’m not an expert, having taught myself using YouTube tutorials. I have done CGI work before (using After Effects) and I know amount of time it soaks up. We have a very small budget, so when we approached shooting this episode, I originally said I wanted to keep the effects down to a minimum.
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